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008 141115s2011 enka 000 0 eng
020 _a9781107008496 (hardback)
040 _aDLC
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041 _aeng
082 0 0 _a809.39112
_223
_bGRM 2011
100 1 _aGreenberg, Jonathan Daniel,
_d1968-
245 1 0 _aModernism, satire, and the novel /
_cJonathan Greenberg.
260 _aCambridge ;
_aNew York :
_bCambridge University Press,
_c2011.
300 _axviii, 220 p. :
_bill. ;
_c24 cm.
504 _aIncludes bibliographical references and index.
505 0 _aPreface: the Uncle Fester principle; 1. Satire and its discontents; 2. Modernism's story of feeling; 3. The rule of outrage: Evelyn Waugh's Vile Bodies; 4. Laughter and fear in A Handful of Dust; 5. Cold Comfort Farm and mental life; 6. Nathanael West and the mystery of feeling; 7. Nightwood and the ends of satire; 8. Beckett's authoritarian personalities
520 _a"In this groundbreaking study, Jonathan Greenberg locates a satiric sensibility at the heart of the modern. By promoting an antisentimental education, modernism denied the authority of emotion to guarantee moral and literary value. Instead, it fostered sophisticated, detached and apparently cruel attitudes toward pain and suffering. This sensibility challenged the novel's humanistic tradition, set ethics and aesthetics into conflict and fundamentally altered the ways that we know and feel. Through lively and original readings of works by Evelyn Waugh, Stella Gibbons, Nathanael West, Djuna Barnes, Samuel Beckett and others, this book analyzes a body of literature - late modernist satire - that can appear by turns aloof, sadistic, hilarious, ironic and poignant, but which continually questions inherited modes of feeling. By recognizing the centrality of satire to modernist aesthetics, Greenberg offers not only a new chapter in the history of satire but a persuasive new idea of what made modernism modern"--
590 _aMKI
650 0 _aModernism (Literature)
650 0 _aSatire
_xHistory and criticism.
650 0 _aEmotions in literature.
856 4 2 _3Cover image
_uhttp://assets.cambridge.org/97811070/08496/cover/9781107008496.jpg
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