000 | 03326cam a22004814a 4500 | ||
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001 | 3589 | ||
003 | BD-DhEU | ||
005 | 20200316151403.0 | ||
008 | 130116s1998 ii a b 001 0 eng | ||
010 | _a 2011026298 | ||
015 |
_aGBB159271 _2bnb |
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016 | 7 |
_a015809091 _2Uk |
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020 | _a0521697654 | ||
020 | _a9781107010635 | ||
020 | _a1107010632 | ||
020 | _a9780521281256 (pbk.) | ||
020 | _a0521281253 (pbk.) | ||
035 | _a(OCoLC)ocn733045212 | ||
040 |
_aDLC _cDLC _dYDX _dYDXCP _dUKMGB _dUPP _dBWX _dCOO _dDLC _dBD-DhEU |
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041 | _aeng | ||
042 | _apcc | ||
050 | 0 | 0 |
_aPN56.M54 _bC36 2011 |
082 | 0 | 0 |
_a808.8 _223 _bLEC 1998 |
084 |
_aLIT004120 _2bisacsh |
||
245 | 0 | 4 |
_aThe Cambridge companion to modernism / _cedited by Michael Levenson. |
250 | _a1st ed. | ||
260 |
_aNew Delhi : _bCambridge University Press, _c1999. |
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300 |
_axvii, 320 p. : _bill. ; _c23 cm. |
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490 | 0 | _aCambridge companions to literature | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gIntroduction / _rMichael Levenson -- _tThe metaphysics of modernism / _rMichael Bell -- _tThe cultural economy of modernism / _rLawrence Rainey -- _tThe modernist novel / _rDavid Trotter -- _tModern poetry / _rJames Longenbach -- _tModernism in drama / _rChristopher Innes -- _tModernism and the politics of culture / _rSara Blair -- _tModernism and religion / _rPericles Lewis -- _tModernism and mass culture / _rAllison Pease -- _tModernism and gender / _rMarianne DeKoven -- _tMusical motives / _rDaniel Albright -- _tModernism and the visual arts / _rGlen MacLeod -- _tModernism and film / _rMichael Wood -- _tModernism and colonialism / _rElleke Boehmer and Steven Matthews. |
520 | _a"This Companion has long been a standard introduction to the field. Now fully updated and enhanced with four new chapters, it addresses the key themes being researched, taught and studied in modernism today. Its interdisciplinary approach is central to its success as it brings together readings of the many varieties of modernism. Chapters address the major literary genres, the intellectual, religious and political contexts, and parallel developments in film, painting and music. The catastrophe of the First World War, the emergence of feminism, the race for empire, the conflict among classes: the essays show how these events and circumstances shaped aesthetic and literary experiments. In doing so, they explain clearly both the precise formal innovations in language, image, scene and tone, and the broad historical conditions of a movement that aspired to transform culture"-- | ||
590 | _aMd. Aminul Islam | ||
650 | 0 | _aModernism (Literature) | |
650 | 0 | _aModernism (Art) | |
700 | 1 |
_aLevenson, Michael H. _q(Michael Harry), _d1951- |
|
856 | 4 | 2 |
_3Cover image _uhttp://assets.cambridge.org/97811070/10635/cover/9781107010635.jpg |
856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy1113/2011026298-b.html |
856 | 4 | 2 |
_3Publisher description _uhttp://catdir.loc.gov/catdir/enhancements/fy1113/2011026298-d.html |
856 | 4 | 1 |
_3Table of contents only _uhttp://catdir.loc.gov/catdir/enhancements/fy1113/2011026298-t.html |
942 |
_2ddc _cBK _01 |
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_c3128 _d3128 |