Bloomsbury, Modernism, and the Reinvention of Intimacy / Jesse Wolfe.
Material type: TextLanguage: English Publication details: Cambridge ; New York : Cambridge University Press, 2011, ©2011.Description: viii, 264 pages ; 24 cmISBN:- 9781107006041
- English fiction -- 20th century -- History and criticism
- Intimacy (Psychology) in literature
- Bloomsbury group
- Intimacy (Psychology)
- Modernism (Literature) -- Great Britain
- Literature and society -- Great Britain -- History -- 20th century
- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
- 823.912 23 WOB 2011
Item type | Current library | Call number | Status | Date due | Barcode | |
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Books | Eastern University Library General Stacks | 823.912 WOB 2011 (Browse shelf(Opens below)) | Not For Loan | 14405 |
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823.912 VOE 2007 The enchanted April / | 823.912 WIA 1964 Art and order; | 823.912 WOB 1998 Between the acts / | 823.912 WOB 2011 Bloomsbury, Modernism, and the Reinvention of Intimacy / | 823.912 WOP 1972 The pothunters and other school stories / | 823.912 WOW 1993 The world of Psmith / | 823.914 ACT 2001 Things fall apart / |
Includes bibliographical references (pages 240-257) and index.
Machine generated contents note: Introduction: narrating Bloomsbury; Part I. Philosophical Backgrounds: 1. The apostle: yellowy goodness in Bloomsbury's bible; 2. The analyst: Freud's denial of innocence; Part II. Defeated Husbands: 3. The Bloomsburian: Forster's missing figures; 4. The adversary: the love that cannot be escaped; Part III. Domestic Angels: 5. The Bloomsburian: Woolf's sane woman in the attic; 6. The acolyte: a return to essences; Conclusion: the prescience of the two Bloomsburies; Appendices; Notes; Bibliography; Index.
"Bloomsbury, Modernism, and the Reinvention of Intimacy integrates studies of six members and associates of the Bloomsbury group into a rich narrative of early twentieth century culture, encompassing changes in the demographics of private and public life, and Freudian and sexological assaults on middle-class proprieties Jesse Wolfe shows how numerous modernist writers felt torn between the inherited institutions of monogamy and marriage and emerging theories of sexuality which challenged Victorian notions of maleness and femaleness. For Wolfe, this ambivalence was a primary source of the Bloomsbury writers' aesthetic strength: Virginia Woolf, D. H. Lawrence, and others brought the paradoxes of modern intimacy to thrilling life on the page. By combining literary criticism with forays into philosophy, psychoanalysis, sociology, and the avant-garde art of Vienna, this book offers a fresh account of the reciprocal relations between culture and society in that key site for literary modernism known as Bloomsbury"--
"Popular and scholarly interests in Bloomsbury have been robust in recent years, with film adaptations of Virginia Woolf's and E. M. Forster's novels, homages by Michael Cunningham and Zadie Smith, biographies of several group members, critical examinations of its literary and philosophical importance, and studies of its role in the history of liberalism, feminism, pacifism, gay liberation, and other aspects of culture and politics. This interest suggests that Bloomsbury illuminates many dimensions of modern life. The current turn in modernist studies - toward examining modernity (a social phenomenon) as the context for modernism (aesthetic responses to this phenomenon) - also suggests that Bloomsbury deserves a central role in the story of literary modernism"--
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