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The Cambridge companion to modernism / edited by Michael Levenson.

Contributor(s): Material type: TextTextLanguage: English Series: Cambridge companions to literaturePublication details: New Delhi : Cambridge University Press, 1999.Edition: 1st edDescription: xvii, 320 p. : ill. ; 23 cmISBN:
  • 0521697654
  • 9781107010635
  • 1107010632
  • 9780521281256 (pbk.)
  • 0521281253 (pbk.)
Subject(s): DDC classification:
  • 808.8 23 LEC 1998
LOC classification:
  • PN56.M54 C36 2011
Other classification:
  • LIT004120
Online resources:
Contents:
Introduction / Michael Levenson -- The metaphysics of modernism / Michael Bell -- The cultural economy of modernism / Lawrence Rainey -- The modernist novel / David Trotter -- Modern poetry / James Longenbach -- Modernism in drama / Christopher Innes -- Modernism and the politics of culture / Sara Blair -- Modernism and religion / Pericles Lewis -- Modernism and mass culture / Allison Pease -- Modernism and gender / Marianne DeKoven -- Musical motives / Daniel Albright -- Modernism and the visual arts / Glen MacLeod -- Modernism and film / Michael Wood -- Modernism and colonialism / Elleke Boehmer and Steven Matthews.
Summary: "This Companion has long been a standard introduction to the field. Now fully updated and enhanced with four new chapters, it addresses the key themes being researched, taught and studied in modernism today. Its interdisciplinary approach is central to its success as it brings together readings of the many varieties of modernism. Chapters address the major literary genres, the intellectual, religious and political contexts, and parallel developments in film, painting and music. The catastrophe of the First World War, the emergence of feminism, the race for empire, the conflict among classes: the essays show how these events and circumstances shaped aesthetic and literary experiments. In doing so, they explain clearly both the precise formal innovations in language, image, scene and tone, and the broad historical conditions of a movement that aspired to transform culture"--
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Holdings
Item type Current library Call number Status Date due Barcode
Books Books Eastern University Library General Stacks 808.8 LEC 1998 (Browse shelf(Opens below)) Checked out to Md. Tahsin Ahammed Shouvo (193300019) 01/04/2020 12998
Books Books Eastern University Library General Stacks 808.8 LEC 1998 (Browse shelf(Opens below)) Available 12999
Books Books Eastern University Library General Stacks 808.8 LEC 1998 (Browse shelf(Opens below)) Not For Loan 13000
Books Books Eastern University Library General Stacks 808.8 LEC 1998 (Browse shelf(Opens below)) Available 13001
Books Books Eastern University Library General Stacks 808.8 LEC 1998 (Browse shelf(Opens below)) Available 13002

Includes bibliographical references and index.

Introduction / Michael Levenson -- The metaphysics of modernism / Michael Bell -- The cultural economy of modernism / Lawrence Rainey -- The modernist novel / David Trotter -- Modern poetry / James Longenbach -- Modernism in drama / Christopher Innes -- Modernism and the politics of culture / Sara Blair -- Modernism and religion / Pericles Lewis -- Modernism and mass culture / Allison Pease -- Modernism and gender / Marianne DeKoven -- Musical motives / Daniel Albright -- Modernism and the visual arts / Glen MacLeod -- Modernism and film / Michael Wood -- Modernism and colonialism / Elleke Boehmer and Steven Matthews.

"This Companion has long been a standard introduction to the field. Now fully updated and enhanced with four new chapters, it addresses the key themes being researched, taught and studied in modernism today. Its interdisciplinary approach is central to its success as it brings together readings of the many varieties of modernism. Chapters address the major literary genres, the intellectual, religious and political contexts, and parallel developments in film, painting and music. The catastrophe of the First World War, the emergence of feminism, the race for empire, the conflict among classes: the essays show how these events and circumstances shaped aesthetic and literary experiments. In doing so, they explain clearly both the precise formal innovations in language, image, scene and tone, and the broad historical conditions of a movement that aspired to transform culture"--

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